Sonic Pressure brings together a sequence of large-scale graphite rubbings and a soundscape. It is part of a 2017 body of work titled Lacuna that I produced during a collaborative residency with Virginia Hilyard at Bundanon, on the Shoalhaven River in NSW.
We were drawn to the utilitarian objects scattered throughout the gardens and paddocks that surround the sandstone homestead. These structures, made of cement, metal, stone or timber, sit outside the heritage narrative of the site. In the act of making full-size graphite impressions of these objects, unseen textures, cavities, dips and holes were revealed.
Concurrently, we placed specialised microphones in, on and around these objects to capture their unique acoustic imprint and the sonic shapes of the spaces they occupy.
The work was exhibited in Occupied, a group exhibition at the Blue Mountains Art Centre in 2020.
More paper works
- Line Work 2021
- Sonic Pressure 2020
- Orange–Net–Work Drawings 2019
- Patches of Light Watercolours 2019
- Blueprint 2016
- Lacuna 2016
- Sound Lines 2014
- Bushman’s Recall 2013
- Harvest 2012
- Monoprints 2012
- Sounding 2011
- Blue Way Jay cyanotypes - buckets 2006
- Blue Way Jay cyanotypes - plants 2006
- Blue Jay Way cyanotypes - blinds 2006
- Cyanotypes 2000 - 2006
- Cyanotype - chairs 2005
- Cyanotype - buckets 2005
- In-tray 2005
- Lowhead Portraits 2005
- Sound of Manh Tre 2005
- Sound of Lotus Cyanotypes 2000
- Cyanotype - blinds 2000
- Cyanotypes - Sound of Lotus 2000