Daughters Mothers
In 2015 I began what has become an ongoing intergenerational collaboration with my mother in which we explore our ancestral connections to Tasmania. Our family is bound to Tasmania through six generations of labour, trade and artistic practice dating back to the colonisation of the island.
Peggy Pedley practised ceramics extensively in the 1960s, 70s and 80s. She now works mainly with textiles. The bounties of shipping and wool trade are represented through the materials used in the sculptural works –woollen fleeces, seaweed – while motifs of fencing and wire suggest the ramifications of carving up Aboriginal land to achieve colonial ambitions. A key work in the show was a repurposed wool bag, patched with silks from Peggy’s fabric collection.
Patches of Light is in the exhibition Daughters Mothers with Judy Watson, Joyce Watson, Alison Clouston, Joan Clouston, Toni Warbuton and the late Soot Warburton. The exhibiton, curated by Dr Jacqueline Millner, part of the Future Feminist Archive at SCA Galleries in 2015.
- Date
- 2015-09-03
- Documents | PDFS
- 1. Future Feminist Archive catalogue
- 2. Review by Lousie Martin Chew
More installation works
- Kinaesthetic 2023
- Line Work: Rivers of the Basin 2022
- Otolith: in the ear of the fish 2019
- Patches of Light 2019
- Tracing Water - museum 2018
- Tracing Water 2018
- Orange–Net–Work 2017
- Rolling Musical Screech 2017
- Daughters Mothers 2015
- Birch Bridge 2014
- Copper Ships 2011
- Resound Tess DeQuincy 2011
- Harmonica 2010
- Art Walk - Foot People 2009
- Uv'la Marina 2007
- Blue Jay Way 2006
- Haze 2006
- Sound of Bamboo - Gallery 4A 2003
- Sound of Bamboo 2002
- Sound of Lotus 2001
- Quarrying Memory 2000
- The Convict and the Jew 1999
- Drawing On Rock 1997
- Listening to Clara Ethel & Ada 1997
- Under the Pier 2 1996
- Under the Pier 1996
- Humidity 1995
- Frescoes Assay 1994
- Stains, Frescoes III Riverbed 1994
- Tide 1993
- Combing 1991
- Frescoes 1991
- Blue Edges 1990
- The Element Orange 1990